Exhibition // Queering Family Photography (Apr. 21 - May 26, 2018) @ Stephen Bulger Gallery

Events

What is family photography? Scholars have often understood the genre as simply snapshots of domestic scenes—images that reflect and produce normative notions of family. Yet, family photographs are more complex than we think: they can also include images taken by a wide spectrum of producers, including the press and the state; they frequently circulate between private and public spheres, linking personal memories with national and even global histories; and, just as importantly, they don’t just illustrate families, but also shape the very idea of family in the contexts of race, gender, and sexuality.

This conference will re-examine the genre and develop new ways of investigating the cultural politics of family photography. This critical task is all the more timely not just because of photography’s transformation with the digital turn, but also because of recent historical shifts that have altered the composition and very meaning of kinship--including Cold War dislocations, the visibility of queer and trans* family belonging, transnational adoptions, and immigration under the auspices of family reunification.

Conference Schedule – Sept. 21-23, 2017

Thursday, Sept. 21, 2017

(afternoon) Artists’ roundtable moderated by Deepali Dewan // Royal Ontario Museum

Family Camera Exhibition and Opening reception

Friday, Sept. 22, 2017

9:05-10:45 Plenary Session in CCF: Key Concepts Roundtable featuring Marianne Hirsch (Columbia), Gayatri Gopinath (NYU), Martha Langford (Concordia), Laura Wexler (Yale), Deborah Willis (NYU)

Panel Sessions 1 – 11:00 to 12:45

(Post)Colonial Albums // Trinity College (Combo Room)

· Joseph Ho (University of Michigan) “Imaging the Body of Christ: Transnational Family Albums and American Protestant Missionary Photography in Modern China”

· Candice Jensen (Wits Institute) “Complicities of the Image: Cedric Nunn and the Black Family in Struggle”

· Sandrine Colard-De Bock (Columbia University), “Becoming the Bourgeois African in the colonial Congo: Two Families in the Picture”

Feminizing Affective Communities // Munk 023N

· Sharon Sliwinski (UWO), “Photography—Our Mother Complex”

· Erina Duganne (Texas State University), “Family Photography and the Global Struggle for Human Rights”

· Dot Tuer (OCADU), “Talismans and Traces: State Terror, Absent Bodies and Reframing the Family Photograph”

Akin: Conventions of Childhood // Munk 108N

· Jennifer Orpana, “Childhood Snapshots: Transnational Conventions in Family Photography” (ROM)

· Daniel Magilow (UT- Knoxville), “Cute Jews: On Nahum Gidal’s Judische Kinder in Erez Israel Ein Photobuch”

· LiLi Johnson (Yale), “Transnational Chinese Adoptions”

Intimate Economies from analog to digital eras // Munk 208N

· Ali Feser (Chicago University), “Photochemical Kinship in the Image Capital of the World”

· Sarah Brophy (McMaster), “Angus McBean’s Queer Domestic Surrealism and a Prehistory of Selfie Culture”

· Sophie Hackett (AGO), “Zun Lee’s Fade Resistance”

· John Peffer (Ramapo), “When a Photograph is a Family: Thoughts on Audience and Image in Africa”

Panel Sessions 2 – 2:30 to 4:30

Masculinities // Munk 023N

· Adria Imada (UC Irvine), “Dreaming in Pictures: “Family” Albums and Kinship during Medical Incarceration”

· Franny Nudelman (Carleton University), “Reframing Postmortem Photography: Tim Hetherington’s ‘Sleeping Soldiers’”

· Georgiana Banita (Bamberg University), “The Refuge of Photography: Framing Migrant Men”

Politicizing Family // Munk 108N

· Drew Thompson (Bard College), “Não há nada (“There is nothing”)”: The Absence of Retratos in Independent Mozambique”

· Kimberly Juanita Brown (Mount Holyoke College), “Next of Kin: Photographic Mortevivum and the Violence of Proximity”

· Autumn Womack (University of Pittsburgh), “What of the Family of the Dead?: The Family Photograph as Lynching Photography”

Unsettled: Settler-colonial Relations and

Aboriginal Kinship // Munk 208N

· Andrea Doucet (Brock), “The ethics and aesthetics of remembrance in the aftermath of catastrophe”

· Reilley Bishop-Stall (McGill), “Friction and Familiarity in Family Photo Albums: A Residential School Teacher’s Photographic Legacy”

· Sharon Huebner (Monash University), “Disrupting Colonial Imaginaries: Photographs of Australian Aboriginal ancestors as a cultural device for activating intergenerational pride and kinship responsibility”

4:45-6:00 Plenary Session: Richard Hill (Emily Carr)

6:30 Wine and Cheese reception

Saturday, September 23, 2017

9:00-10:45 Plenary Session : Collecting and Archiving Family Photographs, featuring Mark Sealy (Autograph ABP, UK), Rahaab Allana (Alkazi Collection, India), Luce Lebart Canada (Canadian Photography Institute), Fiona Kinsey (Museum Victoria, Australia)

Panel Sessions 3 – 11:00 to 12:45

Visual Diasporas// Munk 023N

· Leigh Raiford (UC Berkeley), “‘1World1Family’: Collecting the African Diaspora Family Album”

· Lily Cho (York), “Diaspora in the Darkroom: theorizing chromogenic process and ontologies of diasporic connection”

· Sabeena Gadihoke, “The Partition in a Digital Age: An Archeology of Family Photographs through Absence and Presence”

Secrecy // Munk 108N

· Afseneh Najmabadi (Harvard), “With a Whole Family—the Stories One Can Tell”

· Sara Davidmann (independent artist), “Ken. To be destroyed”

· Erin Gray (UCLA), “America’s ‘Concrete Universal’: Excising Lynching from The Family of Man”

Cold War Generations // Munk 208N

· Iyko Day (Mt. Holyoke), “Nuclear Family Photography and Generational Memory”

· Jung Joon Lee (RISD), “Orphan Nation: Remembering the Korean War as Family-Nation”

· Alexandra Tait (University College, London), “Kustlerehepaar: I.G.G.R.”

Panel Session 4– 2:30 to 4:15

Wedding Photos // Munk 023N

· Suryanandini Narain (Jawaharlal Nehru University), “Indian Wedding Photos”

· Jeehye Kim (Carter Museum), “Funerary Portrait Photography and Ghost/Spirit Marriage in East Asia”

· Shawn Michelle Smith (School of the Art Institute of Chicago), “Too Many Men”

Extra-familial frames // Munk 108N

· Deborah Weinstein (Brown), “Animals in Family Photographs”

· Linda Steer (Brock), “Between “Russia’s Trainspotting” and “the presumption of innocence”: Making Meaning of Irina Popova’s Another Family”

· Heather Diack (University of Miami), “We Are Family: Leslie Hewitt’s Riff’s On Real Time”

Racialized Citizenship and Non-citizenship // Munk 208N

· Gabrielle Moser (OCADU), “Familial Ties and Citizen Claims: Photography, Race and Citizenship in African Canadian Newspapers”

· Julia Lum (Yale), “Narrating Visibility: Chinese Canadian Family Photography and the Exclusion Period, 1923-67”

· Nadine Attewell (McMaster), “Intimations of Abundance: Working-Class Family Photography and the Look of Mixed Race”

4:30-5:45 Plenary Session: Tina Campt (Barnard College) and Nicole Fleetwood (Rutgers)

Concluding remarks

7:00pm Closing Banquet

Installation of Queering Family Photography (M. Kasumovic, 2018) — Installation of *Queering Family Photography* (M. Kasumovic, 2018)

On April 21, 2018, the Queering Family Photography exhibition opened at Stephen Bulger Gallery, in conjunction with artist Sunil Gupta’s exhibition, Friends and Lovers – Coming out in Montreal in the 70s.

Queering Family Photography explored the critical work that queer, trans, and two-spirited family photos do in documenting and creating queer modes of belonging, and how our emotional attachments to queer family photographs have also sustained LGBTQ2+ lives. The show traced how queer, trans, and two-spirited people draw on photography to redefine family to include queer kinships outside the heteronormative, nuclear family model. It considered the social, political, and technological factors that structure queer kinship, and the ways that LGBTQ2+ communities creatively reimagine family, linking public and private spheres together. The images on display captured fleeting moments of love and desire, as well as generational bonds, which are often fractured by a normalizing state and culture.

The exhibition featured over 100 photographs, as well as oral histories, collected through The Family Camera Network. It also included loans from the Canadian Lesbian and Gay Archives (CLGA), a partner in this project, and from the Two-Spirited Collection at the University of Winnipeg Archive. It was organized by The Family Camera Network and the Canadian Lesbian and Gay Archives, with the support of Western University, Stephen Bulger Gallery, and York University. It was curated by Elspeth Brown (lead) and Thy Phu, with the assistance of Sajdeep Soomal, Richard Fung, Mark Kasumovic, Tori Abel, Lucie Handley-Girard, and Sarah Parsons.

Queering Family Photography was on display from April 21st to May 26th, 2018, and it was a featured exhibition in the Scotiabank CONTACT Photography Festival.

Click here for the Queering Family Photography digital exhibition