Exhibition // The Family Camera (May - Oct. 2017) @ Royal Ontario Museum & Art Gallery of Mississauga

Events

What is family photography? Scholars have often understood the genre as simply snapshots of domestic scenes—images that reflect and produce normative notions of family. Yet, family photographs are more complex than we think: they can also include images taken by a wide spectrum of producers, including the press and the state; they frequently circulate between private and public spheres, linking personal memories with national and even global histories; and, just as importantly, they don’t just illustrate families, but also shape the very idea of family in the contexts of race, gender, and sexuality.

This conference will re-examine the genre and develop new ways of investigating the cultural politics of family photography. This critical task is all the more timely not just because of photography’s transformation with the digital turn, but also because of recent historical shifts that have altered the composition and very meaning of kinship--including Cold War dislocations, the visibility of queer and trans* family belonging, transnational adoptions, and immigration under the auspices of family reunification.

Conference Schedule – Sept. 21-23, 2017

Thursday, Sept. 21, 2017

(afternoon) Artists’ roundtable moderated by Deepali Dewan // Royal Ontario Museum

Family Camera Exhibition and Opening reception

Friday, Sept. 22, 2017

9:05-10:45 Plenary Session in CCF: Key Concepts Roundtable featuring Marianne Hirsch (Columbia), Gayatri Gopinath (NYU), Martha Langford (Concordia), Laura Wexler (Yale), Deborah Willis (NYU)

Panel Sessions 1 – 11:00 to 12:45

(Post)Colonial Albums // Trinity College (Combo Room)

· Joseph Ho (University of Michigan) “Imaging the Body of Christ: Transnational Family Albums and American Protestant Missionary Photography in Modern China”

· Candice Jensen (Wits Institute) “Complicities of the Image: Cedric Nunn and the Black Family in Struggle”

· Sandrine Colard-De Bock (Columbia University), “Becoming the Bourgeois African in the colonial Congo: Two Families in the Picture”

Feminizing Affective Communities // Munk 023N

· Sharon Sliwinski (UWO), “Photography—Our Mother Complex”

· Erina Duganne (Texas State University), “Family Photography and the Global Struggle for Human Rights”

· Dot Tuer (OCADU), “Talismans and Traces: State Terror, Absent Bodies and Reframing the Family Photograph”

Akin: Conventions of Childhood // Munk 108N

· Jennifer Orpana, “Childhood Snapshots: Transnational Conventions in Family Photography” (ROM)

· Daniel Magilow (UT- Knoxville), “Cute Jews: On Nahum Gidal’s Judische Kinder in Erez Israel Ein Photobuch”

· LiLi Johnson (Yale), “Transnational Chinese Adoptions”

Intimate Economies from analog to digital eras // Munk 208N

· Ali Feser (Chicago University), “Photochemical Kinship in the Image Capital of the World”

· Sarah Brophy (McMaster), “Angus McBean’s Queer Domestic Surrealism and a Prehistory of Selfie Culture”

· Sophie Hackett (AGO), “Zun Lee’s Fade Resistance”

· John Peffer (Ramapo), “When a Photograph is a Family: Thoughts on Audience and Image in Africa”

Panel Sessions 2 – 2:30 to 4:30

Masculinities // Munk 023N

· Adria Imada (UC Irvine), “Dreaming in Pictures: “Family” Albums and Kinship during Medical Incarceration”

· Franny Nudelman (Carleton University), “Reframing Postmortem Photography: Tim Hetherington’s ‘Sleeping Soldiers’”

· Georgiana Banita (Bamberg University), “The Refuge of Photography: Framing Migrant Men”

Politicizing Family // Munk 108N

· Drew Thompson (Bard College), “Não há nada (“There is nothing”)”: The Absence of Retratos in Independent Mozambique”

· Kimberly Juanita Brown (Mount Holyoke College), “Next of Kin: Photographic Mortevivum and the Violence of Proximity”

· Autumn Womack (University of Pittsburgh), “What of the Family of the Dead?: The Family Photograph as Lynching Photography”

Unsettled: Settler-colonial Relations and

Aboriginal Kinship // Munk 208N

· Andrea Doucet (Brock), “The ethics and aesthetics of remembrance in the aftermath of catastrophe”

· Reilley Bishop-Stall (McGill), “Friction and Familiarity in Family Photo Albums: A Residential School Teacher’s Photographic Legacy”

· Sharon Huebner (Monash University), “Disrupting Colonial Imaginaries: Photographs of Australian Aboriginal ancestors as a cultural device for activating intergenerational pride and kinship responsibility”

4:45-6:00 Plenary Session: Richard Hill (Emily Carr)

6:30 Wine and Cheese reception

Saturday, September 23, 2017

9:00-10:45 Plenary Session : Collecting and Archiving Family Photographs, featuring Mark Sealy (Autograph ABP, UK), Rahaab Allana (Alkazi Collection, India), Luce Lebart Canada (Canadian Photography Institute), Fiona Kinsey (Museum Victoria, Australia)

Panel Sessions 3 – 11:00 to 12:45

Visual Diasporas// Munk 023N

· Leigh Raiford (UC Berkeley), “‘1World1Family’: Collecting the African Diaspora Family Album”

· Lily Cho (York), “Diaspora in the Darkroom: theorizing chromogenic process and ontologies of diasporic connection”

· Sabeena Gadihoke, “The Partition in a Digital Age: An Archeology of Family Photographs through Absence and Presence”

Secrecy // Munk 108N

· Afseneh Najmabadi (Harvard), “With a Whole Family—the Stories One Can Tell”

· Sara Davidmann (independent artist), “Ken. To be destroyed”

· Erin Gray (UCLA), “America’s ‘Concrete Universal’: Excising Lynching from The Family of Man”

Cold War Generations // Munk 208N

· Iyko Day (Mt. Holyoke), “Nuclear Family Photography and Generational Memory”

· Jung Joon Lee (RISD), “Orphan Nation: Remembering the Korean War as Family-Nation”

· Alexandra Tait (University College, London), “Kustlerehepaar: I.G.G.R.”

Panel Session 4– 2:30 to 4:15

Wedding Photos // Munk 023N

· Suryanandini Narain (Jawaharlal Nehru University), “Indian Wedding Photos”

· Jeehye Kim (Carter Museum), “Funerary Portrait Photography and Ghost/Spirit Marriage in East Asia”

· Shawn Michelle Smith (School of the Art Institute of Chicago), “Too Many Men”

Extra-familial frames // Munk 108N

· Deborah Weinstein (Brown), “Animals in Family Photographs”

· Linda Steer (Brock), “Between “Russia’s Trainspotting” and “the presumption of innocence”: Making Meaning of Irina Popova’s Another Family”

· Heather Diack (University of Miami), “We Are Family: Leslie Hewitt’s Riff’s On Real Time”

Racialized Citizenship and Non-citizenship // Munk 208N

· Gabrielle Moser (OCADU), “Familial Ties and Citizen Claims: Photography, Race and Citizenship in African Canadian Newspapers”

· Julia Lum (Yale), “Narrating Visibility: Chinese Canadian Family Photography and the Exclusion Period, 1923-67”

· Nadine Attewell (McMaster), “Intimations of Abundance: Working-Class Family Photography and the Look of Mixed Race”

4:30-5:45 Plenary Session: Tina Campt (Barnard College) and Nicole Fleetwood (Rutgers)

Concluding remarks

7:00pm Closing Banquet

THE FAMILY CAMERA, INSTALLATION VIEW (BRIAN BOYLE MPA, FPPO PHOTO, 2017 © ROM) — *THE FAMILY CAMERA,* INSTALLATION VIEW (BRIAN BOYLE MPA, FPPO PHOTO, 2017 © ROM)

The Family Camera explored the relationship between photography and the idea of family, and it looked at family photographs as a cultural practice through the lens of migration. This exhibition was a primary exhibition in the Scotiabank CONTACT Photography Festival, and it was presented at two venues: the Royal Ontario Museum (May 6-October 29, 2017) and the Art Gallery of Mississauga (May 4-August 29, 2017). With nearly every photograph featured in this exhibition coming from a Canadian home, The Family Camera shed light on how family photos reflect and shape our sense of self, family, community, and nation. The exhibition featured over 200 objects, mostly photographs and stories collected through The Family Camera Network. It also included loans from private and public collections, works by artists Jeff Thomas, Deanna Bowen, and Dinh Q. Lê, and an immersive installation created by students in OCAD University’s Digital Futures program.

Curatorial Team: Deepali Dewan (lead), Jennifer Orpana, Thy Phu, Julie Crooks, and Sarah Bassnett with the assistance of Silvia Forni and Sarah Parsons

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